Working for almost fifty years in natural landscapes and the materials found within them, Richard Long has made a series of site specific sculptures for the garden and park of Houghton Hall in Norfolk in an exhibition called ‘Earth Sky’. In this film Grace and Joshua visit the exhibition to find out how Long builds his sculptures and how they respond to this historic house and garden. In these directly honest and simple sculptures Long addresses ideas of history, time, geology and ecology.
The Art Channel visits a curated exhibition of artworks by Louise Bourgeois and Yayoi Kusama addressing the subconscious, memory and trauma. Two of the most significant female artists of the past 75 years, Bourgeois and Kusama battled for recognition and opportunities for artistic self-expression. Experiencing troubled childhoods and family strife, each artist made art to address their fears and to find equilibrium in adult life.
From architectural installations to works on paper, Do Ho Suh explores memory, travel and identity in an exhibition titled ‘Passage/s’. Using brightly coloured and transparent polyester mesh hung on steel frames, Do Ho Suh erects a series of linking architectural ‘hubs’ which resemble disregarded domestic spaces like hallways and entrances. He is also showing new ‘drawings’ produced by melting gelatine models into absorbent paper.
My film with Grace Adam for The Art Channel visits White Cube in London to explore and review an exhibition called ‘Walhalla’ by the artist Anselm Kiefer.
My new film for The Art Channel is now online. Grace Adam and I visit the exciting exhibition ‘Alexander Calder: Performing Sculpture’ at Tate Modern to learn how he developed the ‘Mobile’ and moving abstract sculpture.
More Sweetly Play The Dance is an eight screen film installation made using performers and drawings that borrows from the Medieval tradition of the Danse Macabre. William Kentridge creates an African funereal procession that celebrates life while warding off death. It echoes the flight of refugees seeking sanctuary today. Elsewhere in the show, Kentridge has made large ink wash paintings that blends together Chinese Marxist propaganda, traditional Chinese art and Manet’s last flower paintings.