Two of the 20th Century’s greatest artistic mavericks and showmen are paired together in a show which reconsiders the overlooked interests and connections between the two men. The Art Channel looks in detail at six key works exhibited in the show to learn more about their ideas and methods and why they have been so influential on younger generations of artists. The film includes a contribution from Professor Dawn Ades, co-curator of the exhibition.
Working for almost fifty years in natural landscapes and the materials found within them, Richard Long has made a series of site specific sculptures for the garden and park of Houghton Hall in Norfolk in an exhibition called ‘Earth Sky’. In this film Grace and Joshua visit the exhibition to find out how Long builds his sculptures and how they respond to this historic house and garden. In these directly honest and simple sculptures Long addresses ideas of history, time, geology and ecology.
The Art Channel walks through an exhibition at Tate Britain showing 60 years of art by David Hockney. From his earliest experiments in painting, Hockney develops a naturalism that explores the experience of looking at the world. This first film analyses six key paintings from the first half of his career. Ever curious and observant, Hockney is constantly testing the possibility of art to represent and understand friends, places, objects and architecture. We look closely at several key works to explain Hockney’s legacy and achievement.
The Art Channel visits a curated exhibition of artworks by Louise Bourgeois and Yayoi Kusama addressing the subconscious, memory and trauma. Two of the most significant female artists of the past 75 years, Bourgeois and Kusama battled for recognition and opportunities for artistic self-expression. Experiencing troubled childhoods and family strife, each artist made art to address their fears and to find equilibrium in adult life.
From architectural installations to works on paper, Do Ho Suh explores memory, travel and identity in an exhibition titled ‘Passage/s’. Using brightly coloured and transparent polyester mesh hung on steel frames, Do Ho Suh erects a series of linking architectural ‘hubs’ which resemble disregarded domestic spaces like hallways and entrances. He is also showing new ‘drawings’ produced by melting gelatine models into absorbent paper.
The overriding memory of a recent trip to Amsterdam involves the pungent, sweet smell of grass lingering on the streets of this remarkable city built on water. The coffeeshops sitting on almost every commercial street lure tourists in for an experience legally denied at home. It’s peculiar to see and smell grass being openly smoked in public but, on balance, an indication of Dutch maturity in their approach to the inhalation of what is essentially the smoke from a plant. Politicians elsewhere are so muddled in their attitudes that clear paradoxes are set up. Is Marijuana intrinsically any worse than alcohol? I certainly didn’t see weed fuelled aggression on the streets. I’d rather sit with a crowd of stoned people than drunks any day.
The problem arises with the way in which the plant is quite removed from what you might have smoked in the 1960s. Cultivation now takes place on an industrial scale and to meet demand unscrupulous growers seem intent on producing ever stronger highs so that it is reputedly becoming more dangerous particularly for the young and those susceptible to mental illness. A gentle trip to the moon that my parents might have enjoyed 40 years ago has been replaced by the effect of being shot into space on a rocket, which is not a pleasurable experience. One British resident of the Netherlands also told me that it was difficult to warn his children of the dangers since they were surrounded by coffeeshops selling freely available grass. It’s a fair point, but frankly having seen the Dutch solution in action, I suggest it’s still preferable to the absurd criminalisation and hypocrisy we see elsewhere in the world.
Don’t many of us simply share a common desire for honesty where we can discuss the merits and dangers freely without feeling condemned or complicit in something that’s been considered wrong because it’s labelled a ‘drug’? What’s not desirable is the almost global current state of affairs where politicians and police treat alcohol as a tolerable anomaly but bully and criminalise anyone wanting to puff a joint at home.
My hope for this blog is to write forthright but still informed pieces that may spur debate and provide some entertainment. In childhood my father would describe me as ‘opinionated’, a term I would wear with defiant pride. Sometimes this tendency to take a firm postion has landed me in trouble even to the point of provoking a surprisingly hostile response. I don’t aim to be needlessly offensive but simply want to use this forum to make a case, build some arguments and engage a readership.