From architectural installations to works on paper, Do Ho Suh explores memory, travel and identity in an exhibition titled ‘Passage/s’. Using brightly coloured and transparent polyester mesh hung on steel frames, Do Ho Suh erects a series of linking architectural ‘hubs’ which resemble disregarded domestic spaces like hallways and entrances. He is also showing new ‘drawings’ produced by melting gelatine models into absorbent paper.
Why do artists still make portraits and what do these images tell us about the sitters? The Art Channel investigates in a visit to the National Portrait Gallery in London.
More Sweetly Play The Dance is an eight screen film installation made using performers and drawings that borrows from the Medieval tradition of the Danse Macabre. William Kentridge creates an African funereal procession that celebrates life while warding off death. It echoes the flight of refugees seeking sanctuary today. Elsewhere in the show, Kentridge has made large ink wash paintings that blends together Chinese Marxist propaganda, traditional Chinese art and Manet’s last flower paintings.