In middle age Pablo Picasso became enraptured by Marie-Thérèse Walter, a young woman he had met on a Parisian street. The Art Channel visits Tate Modern’s exhibition to understand how Marie-Thérèse became Picasso’s muse. How did his infatuation for her inspire his art? Grace Adam and Joshua White investigate why Picasso’s images of 1932 are challenging and unforgettable.
An artist working in photography, Gursky produces large prints using a digital editing process incorporating multiple images of the same subject. Disrupting conventions of perspective and proportion, his photographs immerse the viewer in the contemporary world of globalisation, architecture, commerce and travel. These pictures resemble the scale of paintings while pulling us into a dizzying experience where apparent ‘photographic’ facts are often invented and manipulated. The power of these artworks lies in the meeting of familiarity and oddity.
Jean-Michel Basquiat propelled himself from tagging walls in New York to becoming an artistic prodigy within a short lifespan. Deeply ambitious, he was a self-taught artist who created a whole new language of painting. Basquiat was an exciting and talented artist whose dense paintings compress together the experience of African-Americans with the modern worlds of film, television, sport and music.
Two of the 20th Century’s greatest artistic mavericks and showmen are paired together in a show which reconsiders the overlooked interests and connections between the two men. The Art Channel looks in detail at six key works exhibited in the show to learn more about their ideas and methods and why they have been so influential on younger generations of artists. The film includes a contribution from Professor Dawn Ades, co-curator of the exhibition.
In this film we focus on three works made by James Turrell and Rachel Whiteread at Houghton Hall. Turrell is an artist primarily using artificial and natural light to explore optical sensations and symbolic associations. At Houghton Turrell has installed one of his luminescent ‘Shallow Space Constructions’ and one of his viewing chambers from the ‘Skylight Series’. Whiteread adopts a process of casting to investigate time, function and memory in ordinary objects and structures. She has made a sculpture by casting a hut on the Houghton estate, part of a new series she calls ‘shy sculptures’ for their modest, utilitarian origins.